Last week, after I hit the publish
button on Writing Conference Preparations – Part 1, I realized I had forgotten
something important. I’m not sure if it classifies as preparation because it
harkens back to the act of signing up itself. But is probably the most
important thing I remind myself when I attend a conference. And that is—
Sign up for everything!
I didn’t do this for my first
conference, and I regretted it.
Conferences are expensive both in
terms of time and money spent. I want to get the best return on my investment.
I’m sure everyone who attends a writing conference wants an editor or agent to
fall in love with their work. But other than working on craft and becoming the
best writer I can, there’s no way to control this variable. But I can make sure I’m going to peer
critiques and meeting the other interesting people around me. I don't plan to be in my room by myself unless I'm sleeping. When there’s a time
slot where I can be active with my peers, I’m in. Pre-conference intensive.
Check. Mix and mingle. Check. Writing conference success. Check.
Another way I use my conference
time? I volunteer.
At the upcoming NJ SCBWI conference
I will be the “workshop facilitator” for one of the workshop sessions. Do I
think this will fast track my words to stardom?
Nope. But I do think conferences
are important, I appreciate the opportunity to attend and I want to help them
run smoothly and keep costs down. If checking the volunteer box helps the
organizers who make these opportunities possible, I’m all in.
So what else did I do this week in
preparation for the upcoming conference?
I chose my wardrobe wisely. And I’m
not talking style. Frankly, as long as it’s within the bounds of decency, I don’t
think anyone cares how I dress. At other conferences I’ve attended, depending on
the venue, folks wear anything from t-shirts and blue jeans to business casual.
But the important consideration is—layers! I spent one entire workshop last
year sitting on my hands because the room was so cold. The conference
organizers sorted it out later in the day, but that first workshop was
physically painful. The reverse can also be true. Air conditioners break or are
overwhelmed. I want to be able to focus on the subject matter and not be at the
mercy of the indoor elements.
Yesterday I started practicing my
pitch for a recently completed middle grade novel. I have a four minute pitch
slot with a terrific agent and I don’t want to sit there like a blathering fool.
I know there will be nerves, and I know when push comes to shove I may forget
my own name and end up talking nonsense anyway, but at least I know I prepared
the best I could. It’s easy to talk about my novel for twenty minutes, not so
easy to condense my enthusiasm into one or two, leaving time to talk with the
agent.
This morning, I printed off the
three copies of my first page for my first pages workshop. Printers have a way
of running out of ink/toner at the most inopportune moments (those of you with
kids who wait until the last minute to write papers for school know what I’m
talking about!). I put it in the folder along with my critiques, hotel
confirmation and directions to the venue. While I have a GPS, it’s been wrong
before and I’m a visual person who likes to see where I’m going in advance.
I think I’m ready! I'm reading my contributing author's copy of the newest Chicken Soup: Inspiration for Writers, jotting down motivational messages to myself, shadow-boxing writing demons, practicing the Ann Cuddy's TED talk body language.
Anyone have any
other suggestions for me?
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